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Дuring her graphic design studies in Nantes, France, Anna Rigaud designed the Inca-inspired decorative caps typeface Inca (2015). Дuring her studies in Melbourne, Australia, Anina Grace created an native American-themed display typeface called Tipi (2013). An 18-style corporate sans characterized by squarish lower case a and f glyphs. A skyline or piano key typeface that was inspired by Henri-Paul Bronsard's KГ©bek 101 (1972) which was used for the logo and headlines of the daily newspaper Le Jour which was founded in 1978. Goosebreak is a family of twelve syllabic fonts designed for Canadian Aboriginal languages. The Latin part of the semiserif typeface is based on Harfang. This font, started in 2013 and tentatively called Goosebreak, is being extended to also include all the Unified Canadian Aboriginal Syllabics (Athapascan, Blackfoot, Carrier, Cree, Naskapi, Nunavik, Sayisi Dene, etc.).

A font for the Cree and Naskapi in Northern Quebec developed with assistance of Bill Jancewicz.

The sans family Corbeau comes in three times eight styles and was completed with Fred Smeijers, and produced and released by OurType.

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Harfang Pro (2010, Psy/Ops: a 12-style transitional family).The sans typeface ITC Migration Sans (2009, ITC and now, Monotype).Rouyn-Noranda, QuГ©bec-based designer who created these typefaces ДЄt a workshop at ENSAD in Paris in 2015, Andrea Vendetti (Urbino, Italy), Delphine Bereski and Jussi Kantonen co-designed Appalachian Cherokee. Typefaces from 2020: Nunka Anent Dingbat, SГ©bastien (a set of color typefaces inspired by Truchet's tilings).

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Typefaces from 2017: Tinkuy Patterns (a free op-art pattern font related to native Andean cultures in 2021, published by Sudtipos with gdigitization by Alejandro Paul), M46C (experimental, and modular), Entorno (a modular prismatic typeface), Arhuaca (a precolombian pattern font). In 2017, she designed an extraordinary multiline ancient Mexican culture-themed decorative typeface, Coatl Serpiente, and published the Arhuaca op-art patterns. Typefaces from 2016: Criolla (an ornamental circus font, extended to Criollabat in 2019). Her typefaces Modular 46 and Tiwanacu (decorative Nazca-themed caps) won awards at Tipos Latinos 2016. In 2015, she created the free display typeface Abyaster, and the multiline Bolivian pattern typeface Khurus. In 2014, she designed the modular typeface Oraculo and the bribeware display typeface Lineas Y Puntos.ДЄmaru Creador won an award at Tipos Latinos 2014. In 2012, she designed the modular color font INTI, and the cultural pattern typeface family Sara. Vanessa created the experimental typeface Pacha (2010), which is based on old Indian patterns. She works a lot with pre-Colombian, Inca, and South American cultural patterns. ZuГ±iga Tinizaray (aka Amuki) is a graphic designer and art director in Loja, Ecuador. Also, Chey1SILManuscriptL (1994, Summer Institute of Linguistics, a Cheyenne font that looks like Courier). ДЇree fonts at Howard Berlin's site included Cherokee, LucidaSans Navajo. Дiscussion of American Indian language fonts on typophile. Дuring her studies in Lima, Peru, Allison Lopez designed the Nazca culture-inpired rounded typeface Munay (2018). ДЄbout ten fonts here, including some barcode fonts, and a truetype font for Algonquian (Algic languages) by Peter S. She created an all caps alphabet that was inspired by Indian art in 2009. Д«ogota, Colombia-based designer of the curly Wayuu culture-inspired typeface Jerulaa (2016).

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Stanier from Essex University (UK) has created the following metafonts: ams1, cherokee, cypriote, dancers (the 'Dancing Men' code of Conan Doyle), estrangelo (ancient Syriac language), georgian, goblin, iching, itgeorgian, ogham (found on ancient Irish and pictish carvings), osmanian (twentieth-century font used in Somalia), roughogham, shavian, southarabian (for various languages circa 1500BC), ugaritic (ancient cuneiform alphabet). Дesigner of the Cherokee glyphs used in the Unicode chart. Istanbul-based desigfner of Aztek (2015). The site also carries plenty of utilities for these languages. AiPaiNunavik 2.0, all of the improvements to AiPaiNutaaq with AiPaiNunavik 8 bit encoding) and AiNunavik (1995, Ray Taylor), a font based on an original design of F.

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There are also AiPaiNutaaq (Unicode 3.0, full eastern arctic syllabary and Greenlandic), AiPaiNuna (a.k.a. A version that is fully Unicode 3.0 compatible is available too. The fonts contain the full Eastern Arctic syllabary (Nunavut and Nunavik).

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Fully-compatible Macintosh and Windows TrueType fonts in regular, italic, bold and bold-italic are available. Ray Taylor (Acorda Design Integration Inc) created a new Inuktitut font specifically for the Nunavik region of Northern QuГ©bec: AiPaiNunavik (2001) represents a return to the traditional way of writing the AI-PAI-TAI column of syllables. TYPE DESIGN INFORMATION PAGE last updated on

Native american indian font